Tuesday, 16 March 2010
Does Lady Gaga "Fit the Suit?"
This was brought to mind recently when I saw a FaceBook discussion about the pros and cons of Lady Gaga. To make a short story even shorter, one party was of the opinion that Lady Gaga is a star more or less in spite of herself, because she has no remarkable talent other than an ability to package and publicise herself. The other party offered that the ability to package oneself is a kind of 'talent.'
Whilst I have no particular objection to Lady Gaga (I agree her 'singing,' such as it is, does not likely provoke jealousy in Julie Andrews) I do tend to think that she is a bellwether of sorts - that we have almost come full circle from where the music business was in 1962.
Put simply, I wonder if Lady Gaga (and 'Fergie' and American Idol) were not foretold more than 30 years ago? A lot of people of roughly my age watched countless hours of Brady Bunch repeats, and thus will react with a knowing nod to the name 'Johnny Bravo.'
He Fit the Suit
In this 1973 episode, Greg Brady was selected to be a singing star - not because he was particularly talented, but because "he fit the suit." Whether he could sing or not was beside the point.
In an age where a person need only sing in the same postal code as the key of the song in order to allow sound engineers with elaborate equipment to work their magic, I think Greg could have had a brilliant career. That one need only "look the part" is the ultimate triumph of style over substance.
The bad perm, gull wing collars, and mood rings may be gone, but Johnny Bravo is back.
Those who know rudimentary music history of the 1950s and 1960s will recall the struggle between musical acts (e.g., the Beatles) and the record labels and writers (e.g., Leiber and Stoller). With few exceptions (Chuck Berry), prior to Lennon and McCartney, the acts were pretty much puppets; think: the animatronic "children" in Disney's Small World ride. Lennon and McCartney changed the paradigm, though not without a struggle. One of the attempts to keep control - the Monkees - gave Don Kirshner one last shot. The story, ironically, is played out in one of the episodes of The Monkees ('The Devil and Peter Tork').
Who knew that, 40 years later, the ghost of Kirshner would return, and Johnny Bravo would not be saying "Adios."
Wednesday, 27 January 2010
Randy Jones and Randy Johnson: An Epic in Two Acts
Johnson now is a guaranteed Hall of Famer; second all-time in strikeouts. More than 300 wins.
In reading about Johnson, one often sees comments about his being a hard-throwing lefty, with frequent comments about the stereotype of left handers being soft-tossers who get by on guile and trickery. What serious baseball fan is unawares of the phrase "crafty left-hander?" There has been no shortage of lefties who had long, even successful careers who seemed like their fastballs would not break a window pane. Randy Jones won the 1976 Cy Young award, for example. Jesse Orosco pitched until he was 100. Frank Tanana had a very long career with a fastball that would not bruise a baby's butt. That's not entirely true of course; Orosco was only 72 when he retired, and a lot of people forget that at the start of his career, Tanana had a good fastball.
Johnson certainly went against the common thinking, which of course, is frequently wrong.
But why does this perception exist? ARE left hand pitchers more likely to have less than blistering fastballs?
Of course, only a real analysis would reveal the truth, but here is a thought. There certainly is a tremendous bias in big league scouting for guys who can throw hard. For the most part, this bias is useful - a pitcher who can only throw 82 mph had better have some extra-ordinary other talent. All else being equal, the guy who can throw 95 is going to have a much better career than the guy who can only throw 88.
But looking at the distributions I think reveals something. Demographic and epidemiological data show that in the US, about 11 per cent of the population (one in nine) is left-handed. If this were to transfer to major league rosters, a standard pitching staff (10 pitchers) would have about one lefty. This is not the case. Usually, a roster will have at least one starter, one "left hand specialist," and one other left hand pitcher. A cursory look at the rosters reveals that left hand pitchers have about a 300 per cent premium to their value versus right handers.
To see this effect, look also at the roster of outfielders (infield is a biased sample, since there are NO left hand throwers playing any of the positions other than first base for obvious, physical reasons), and compare the percentage of left hand throwing outfielders to left hand pitchers.
What is the implication?
In order to fill the rosters with lefties, teams have to go deeper into the talent pool. Guys who if they were not left-handed would have quit baseball and taken up work elsewhere are on big league rosters. That means a lot of pitchers with mediocre, or worse, fastballs.
Put simply, pitchers like Randy Johnson seem like exceptions to the rule because there are a lot more guys on rosters like Scott Schoenweis than guys like Doug Jones.
Wednesday, 13 January 2010
The MG as Metaphor for "Authenticity"
In a quick historical synopsis, the funds I earned from my first job (refinishing wood floors) I put towards purchasing my first car. Having grown up in the US, which is to put it mildly, a car-culture, this is a big event for a lot of males in the demographic 16-25 (at the time, I was 20). The car I *wanted* to buy was a nearly half-century old MG. It's not a terribly practical car - two seats; no trunk. Built before Ralph Nader helped squeeze a lot of the joy out of motoring and therefore not equipped with seat belts. It had the rumoured reliability of a Central American junta. And thus, unsurprisingly, common sense (in the verbum caro factum of my mother) intervened, and a much more reasonable Datsun Stanza ended up in the driveway. Over the next 20 years, I often thought of that car, and thus as middle-age-dom settled in, and along with it the means to essentially spend money on some things that propriety and youth made impossible, I acquired the car I had wanted in my youth.
For a visual, think of the film American Beauty, where Kevin Spacey (the anti-hero) says to his wife, "It's the car I always wanted, and now I have it. I rule."
Because I am not terribly mechanical, when this or that goes wrong, I turn to the internet for help and suggestions on fine tuning, and one of joys of classic car ownership is that there exists a quite interesting brotherhood (and it's mostly, though not exclusively male) of people who share this interest, and are very helpful and keen on helping out one of the bretheren, no matter the level of mechanical skill.
At the site I visit, there recently appeared a discussion about what will become of the objects of our passion when we are gone. I am on the young end of the spectrum, and the fear is that the younger generations will not have the appreciation or the knowledge to maintain vehicles that will by then be in the range of 75 years of age. And I got to thinking about these vehicles as a metaphor for the common buzzword one hears, "authentic."
Personally, I find one of the charms of these cars (and there are of course other things that fit this category equally well) is that they are at once elegant and simple. My day to day car is a PT Cruiser; it has a lot of technical gizmos, including little lights that illuminate when something is wrong. It even can self-diagnose a problem and display it in the digital odometer. And yet, if something goes wrong, despite (because of?) all this wizardry, I simply have no hope of fixing the problem. It's almost a perfect metaphor for the problems of modern medicine - we can diagnose the illness, but not really treat it. For example, most recently, my PT Cruiser, which was running seemingly perfectly, popped up the check engine light. A couple of quick turns of the key, and the problem (P-0441) appeared, which is apparently something that the computer detects is wrong with the emissions control.
Contrast that to my MG; it has *no* computers. The body is attached to its frame with simply, flat-head screws. There is no fuel injection. It cannot tell me when something is wrong. There is not even a fuel gauge to let me know when it is running low. Knowing that there is a problem requires me to be aware of the idiosyncracies of the car - is the engine making strange noises? Does it take longer to start? How far have I driven since I put gasoline in? I have to pay attention to how the engine looks and how the whole of the thing performs. In short, I have a much more "real" connection to it.
And if something goes wrong, almost surely it's a problem that even I can delve in to with a simple armamentarium of a rubber hammer, a couple of spanners, and a flat-head screwdriver.
It's a throw-back to a time when machines were simple, not because of faddish, Hollywood-derived ideas of authenticity (think "Slow Food"), but because life itself was simpler. That is not to say that they were better, necessarily - these cars tended to break down more often. They could not go from 0 to 60 in five seconds, or cruise at 80 MPH like even the most basic econobox of today. But they came with the explicit understanding that you, as the driver, would invest something in their day to day use, and that that time could accomplish something.
And I think in that is something charming to these cars, something "real." To me, from time to time getting your hands dirty is what "authentic" means, and that is why I think that these cars will persevere, even when the brotherhood of current caretakers passes.
Tuesday, 12 January 2010
Two Roads Diverged in the Woods...What Will We Leave Behind
The former, the thread about MG cars, discusses the question of who will take on our passions for antique cars (in my case, a 1952 MG-TD) once we are gone. The latter is an observation made towards the end of the film, where Mr Banks is ruminating on his apparent, perceived ruin:
A man has dreams of walking with giants
To carve his niche in the edifice of time
Before the mortar of his zeal has a chance to congeal
What I'm thinking about today is the modern view of time, its passage, what we want to leave behind, and indeed, if we ought to leave anything behind at all. Our ideas of permanence and impermanence have taken different views over time, of course. As has modernity. What we value changes. The Victorians definitely had ideas of grand monuments; Percy Bysshe Shelley wrote his epic poem Ozymandias about the folly of such an idea. Today we claim to value "authenticity," but talk about footprints in not always good terms.
I plan a couple of my own thoughts, but am curious about how others think about what constitutes lasting value, what "lasting" even means, and what we would want to leave behind if we could, Ozymandias be damned.
Friday, 18 December 2009
Christmas Time Is Here
Wednesday, 28 October 2009
Farming Out the World Series
Tuesday, 27 October 2009
2009 World Series by Proxy
Monday, 26 October 2009
The New New Media
Tuesday, 20 October 2009
The New Math, 2009
Friday, 9 October 2009
Dr Stangelove 2009, or, How I Learnt to Stop Fearing Socialism and Love the Public Option
I have always been sceptical of people who support increased government power explaining why this or that further incursion is “for my own good,” or prop up the action by offering that opposition to it must necessarily be due to lack of clarity, or worse, because of propaganda that has obscured. Now that the Democrats appear to be on the verge of passing some sort of health care bill (really, calling a piece of legislation that is physically larger than the Manhattan yellow pages is a stretch), and Speaker Pelosi has said that it *will* include some sort of ‘public option,’ I’ve decided to set aside my worries about Big Government and embrace the creeping socialism.
Before I get into any further detail, I’d like to start with a few clarifications ahead of time.
I think the Republican Party has contributed in a large way to the mess we are in. I voted for President Obama. I do not believe he is a crypto-Moslem plant, nor was he born in
But I do believe that the “public option,” as is being discussed by the Democrat House leadership, is a kind of soft socialism. Using monies taken by taxation from one group of people to redistribute in the form of services to others who have not paid for those services is almost the definition of socialism.
Accept it, and move on.
So, in that spirit, here is what I propose as a sort of sugar (Splenda, perhaps?) to help the socialism go down.
Let’s have a public option. But let’s make it a real option, not something delivered at the point of a tax policeman’s gun.
Let the federal government set up a true insurance scheme, run and administered by government experts. Put whatever rules into the plan that they think will make it ‘work’ (i.e., it must cover this that or the other procedures, cannot charge higher premiums according to actuarial data, cannot refuse care for pre-existing conditions, etc.). Allow it to negotiate fees, prices, and co-pay rates. Give people the option of buying into this system or opting out. The profit motive presumably would be removed, and the only goal of such a scheme would be the health of its participants.
That is what proponents such as Dennis Kucinich and Bernard Sanders argue is the fundamental problem with private insurance, and hence the motive of pushing a public option.
But this public option must be subject to the same rules as other choices. Doctors and other health care providers can freely look at re-imbursement and other factors, and choose not to take patients who use the public option.
And, most important of all, require that this public option be self-sustaining. Put simply, it cannot use tax money for funding, and must be sustained by the premiums paid in by its participants. The bottom line here is, the word “option” implies that one has choices, and that participation is voluntary, not compulsory. I like the current health insurance I have, and I do not want to see my quality of care go down (which it would with the sort of single payer scheme seen in Canada or the UK) and my costs go up (which I suspect they would given what Speaker Pelosi is pushing – expanding “coverage” to 45 million additional people).
The maths simply do not work – you cannot provide the same level of care to a larger group of people without an increase in total cost. And presumably, since these additional 45 million (or whatever number you choose) currently do not participate in the current system because they cannot afford to, they would use resources without contributing a proportional amount of money.
Put simply, health care reform, with a public option, must not be yet another means by which federal kommisars rob Peter to pay Paul.
I propose we go forward with this reform, inclusive of such a public option, and after a period of years, see how it has worked out.